Jang-kya Röl-pay Dor-je’s “Song of the View, Identifying Mama” – Videos

Jeffrey Hopkins

Total Play Time:   13:11 hours

Languages:   English

Categories:   Middle (Madhyamaka)

Total Play Time:   13:11 hours

Languages:   English

Categories:   Middle (Madhyamaka)

This series of videos comments on a famous song by Jang-kya Röl-pay dor-je’s called "Song of the View, Identifying Mama". In this fascinating song Jang-kya uses analogies of aged mother, father, crazy child and elder brother to illustrate the meaning and relationship between emptiness and dependent-arising.

Main Reading:

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #1 (2021-06-08) (45:19 minutes)

This new series will read and comment on a Kön-chog-jig-me-wang-po’s Commentary on a famour song by Jang-kya Röl-pay dor-je’s called "Song of the View, Identifying Mama". The class starts with Kön-chog-jig-me-wang-po paying homage to Röl-pay-dor-je, who was Kön-chog-jig-me-wang-po preceptor:

"May we be protected by Mañjushrīghoṣha, Sovereign of Speech,
Extending the feast of eloquent elucidations of dependent-arising
Through establishing emanations in countless pure lands
In the presence of a myriads of Supreme Sages.

With great wisdom seeing the two truths as they are,
With great intelligence raising the banner of the teaching,
With great compassion holding the lamp helping others,
Röl-pay-dor-je, actuality of all Buddhas, homage.

The discourse tearing mundane existence to shreds
Proclaimed in your Song
Is difficult to understand, therefore
May this word-commentary create a ship for easy access."

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #2 (2021-06-15) (54:45 minutes)

The class begins with the next section called ‘Expression of Worship’ where Jang-kya Röl-pay-dor-je exhorts the Lama to reside in the center of his heart:

“E MA HO
May the Lama who teaches—nakedly just as it is—
The wondrous profound suchness of dependent-arising,
A kindness unrepayable, reside in the center of my heart!”

This is followed by a short section called ‘Promise to Compose the Text’:

“I will say a few words suddenly coming to mind.”

After that come the sections explaining the meaning of the text. The class comments on the first two verses:

“I, like a small crazy child,
Have neglected aged mama for a long time,
Yet seem close to knowing kind mama
Not recognized before though always together.
Through the hidden speech of elder brother, dependent-arising,
I think this “is, is—is not, is not” could be it.

These varieties of apprehendeds and apprehenders are mama’s smiling masks.
These changes—births, deaths, and transmigrations—are mama’s lies.
Undeceiving mama has deceived me.
The hope is for elder brother, dependent-arising, to protect me.”

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #3 (2021-06-29) (49:13 minutes)

The class starts with the next verse in which Jangkya says that mama, emptiness, has deceived him:

"These varieties of apprehendeds and apprehenders are mama’s
smiling masks.
These changes—births, deaths, and transmigrations—are
mama’s lies.
Undeceiving mama has deceived me.
The hope is for elder brother, dependent-arising, to protect me."

The class continues with the commentary and analyses also the next verse:

"In sum, I hope to become released
Through the kindness of only aged mama—
If these apprehendeds and apprehenders were like this,
Even the Victors of the three times would not have the means to
protect me."

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #4 (2021-07-13) (58:04 minutes)

The class starts with a short biography and some of the highlights of Jangkya’s life. Then it proceeds to the commentary in which it is discussed how if phenomena were established in the way that they appear to us, they would necessarily be established from their own side, and how this would mean that liberation would be impossible.

"In sum, I hope to become released
Through the kindness of only aged mama—
If these apprehendeds and apprehenders were like this,
Even the Victors of the three times would not have the means to
protect me.
Because these various changes are manifestations
Of changeless mama, there is release."

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #5 (2021-07-20) (47:44 minutes)

The class continues with the verse:

"There is something to understand in just this depending-there/depending-here,
Inexpressible mama not established as anything
And posing in all sorts of ways.
By searching for aged papa, the non-finding
Is itself the finding of aged mama,
Whereby from mama’s lap aged papa is found.
Hence I, a child, call for protection by the kind parents!"

Kön-chog-jig-me-wang-po’s commentary on this verse explains that what is to be understood here is to be taken as the dawning of emptiness as dependent-arisings and the dawning of dependent-arisings as emptiness. When emptiness dawns in such a way, it is said that the analysis of the view is complete. Then he quotes Tsong-kha-pa, Nor-zang-gya-tsho and Dalai Lama Kal-sang-gya-tsho emphasizing on this point.

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #6 (2021-07-27) (51:06 minutes)

The class looks into the question when the analysis of the view is complete and rejects a wrong view that it is enough to only find the view. The class then continues with the commentary on the Song by explaining what aged papa and mama symbolize, and how one as a small child can be protected by them.

“By searching for aged papa, the non-finding
Is itself the finding of aged mama,
Whereby from mama’s lap aged papa is found.
Hence I, a child, call for protection by the kind parents!”

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #7 (2021-08-10) (59:08 minutes)

The class continues with the verses talking about the mama - the nonaffirming negative
that is a mere elimination of inherent existence, and the elder brother - reason of dependent-arising.

"The face of mama, neither the same nor different,
Seems to exist exist in an unapprehendable way
In the mirror of the elder brother, dependent-arising.
The likes of crazy me has not engaged in investigation and analysis!"

Then Jangkya expresses his wish to see the face of aged mama emptiness:

"I hope—upon having laid aside the task of searching from afar
The testaments bestowed on the winds by Nāgārjuna and Chandrakīrti,
By means of Mañjushrīgarbha -
To see this aged mama abiding within."

And exposes some mistakes expressed by some proponents:

"Nowadays, some of our bright minds adhere to terminology
Such as “able to set itself up,” “truly established,” and so forth,
Whereby—leaving these concrete-concrete appearances as they
are—
They seem to be searching for something hornlike to negate. 2

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #8 (2021-08-17) (51:59 minutes)

The class reads the next verse which very briefly delineates some wrong views of the lower tenet systems. Following Kön-chog-jig-me-wang-po’s commentary, the class provides more details of this rather difficult verse.

“Proponents of the Great Exposition, of Sūtra, and of Cognition,
and the Three Eastern Proficients
Designate the body of the great ash-white mama elephant
With a variety of conventions—
Matter, fierce smiling striped tiger;
Apprehender, crazy brainless monkey;
Nondual self-instituting, young adult bear—
Yet they remain having discarded aged mama.”

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #9 (2021-08-24) (48:26 minutes)

Class reads next verse in which Jang-kya lists various assertions about the final mode of subsistence by other schools, such as Sa-kya, Nying-ma, Ka-gyu, Zhang Thang-sag and Jo-nang.

“Though many Sa-kya, Nying-ma, and Karma and Drug-pa Kagyu scholars
Boastingly proclaimed various conventions such as Luminous empty nonapprehending own-awareness,
Pure from the letter Ka spontaneous natural face of Samantabhadra, Unfabricated innate Great Seal,
Voidness of assertion of the two extremes of existence and non-existence, and so forth.
If they are right about the mode of disposition [of reality], it is good.
Are those the place to point a finger?”

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #10 (2021-08-31) (52:31 minutes)

The class continues with the Song, now reaching a series of verses in which Jang-kya addresses main qualms of different tenets and schools and asking them to rejoice.

“Since external objects are not destroyed, it is not necessary to agitate your mind,
O two Proponents of Objects, rejoice rejoice!

Since although [consciousness] is not self-cognizing, valid cognition and object of comprehension are logically feasible,
All Proponents of Cognition, rejoice rejoice!”

At this point the class looks into the notion of self-cognition which is asserted by some Buddhist tenets.

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #11 (2021-09-07) (59:52 minutes)

The class begins with the discussion about the Three Eastern Proficients, their relations and two possible ways of translating their title. The class then continues with the topic of self-cognition and analyses the reasons that Bhāvaviveka puts forth to reject it.

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #12 (2021-09-14) (47:41 minutes)

This class addresses a few questions raised by the participants. First question is about the statement in the Perfection of Wisdom Sūtra:

"All phenomena are natureless; all phenomena are unproduced, unceasing, quiescent from the start, and naturally thoroughly passed beyond sorrow.”

Here the question raised is about the meaning of the word "quiescent ." Next question is about naturally abiding lineage and developmental lineage. The last question is about the relation between self-cognition and self-awareness.

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #13 (2021-09-21) (34:16 minutes)

The class continues with the discussion on self-cognition, following Tsongkhapa’s outline in 5 points. See Emptiness in the Sutric-Autonomy
Middle Way School of Buddhism with Jig-me-dam-chö-gya-tsho’s
Commentary, page 159.

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #14 (2021-10-19) (48:01 minutes)

The class makes a short diversion to Jam-yang-shay-ba’s Great Exposition of Tenets where he talks about the importance of abandoning bias and hate to other’s systems, however one must still analyze well the differences between the systems and tenets. The class also reviews the different synonyms of the word tenet.

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #15 (2021-11-02) (49:48 minutes)

Jang-kya continues with his address to Nying-ma Mantra Holders, elders of elders of Karma and Drug-pa, and Thang-sag-pa’s. Jang-kya then explains that he means no offense with these words:

“Even so, those having had little training in textual systems
Might not know how to use conventions.
I am not being disrespectful to you.
If offense happens to have been touched, please be patient.”

Next theme of the Song is how Jang-kya has sought the profound dependent-arising. It starts with texts he relied on:

“Though I am not robust knowing all,
By becoming skilled in riding the good steed
Of the ancestors’ texts through continuous application and
intense application I hope to become liberated from disastrous straits.”

Jeffrey Hopkins: Song of the View, Identifying Mama, Class #16 (2021-11-09) (33:57 minutes)

The class continues with Jang-kya's advice how and where to search for mama:

"No need to search, for the seeker is it.
Don’t adhere as true, for that is just false.
The false is not refuted, for that is truth itself.
Okay to rest in not-annihilated not-permanent."

Then Jang-kya continues by expressing his gratitude for the kindness of kind Lamas:

"Though I have not seen mama, through only names
I seem to have met kind father and mother
Like lost for a long time staying near me.
Nāgārjuna and his spiritual sons are greatly kind!
Lo-zang-drag-pa is greatly kind!
The benevolent Lama is greatly kind!
I will worship mama as a means to return the kindness!"

And finally he dedicated the virtues:

"May aged mama, unborn and inexpressible,
Having gathered with the small child of knowing—
Lead all beings, my old mothers, to everlasting bliss
Through the great festival of the practices of the All-Good."

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